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The database contains crucial information on campaigns for human rights, democracy, environmental sustainability, economic justice, national/ethnic identity, and peace. The database was built at Swarthmore College and includes cases of “people power” drawn from dozens of countries. This one-credit research seminar involves working and updating the Global Nonviolent Action Database which can be accessed by activists and scholars worldwide at. (Professor Smithey’s course, Gun Violence Prevention, will unfortunately not be offered in the spring).
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Professor Smithey will be instructing the course, and Professor Lakey will return in a supporting role during the beginning of the semester. Research Seminar: Strategy and Nonviolent Struggle (Cross-listed as SOAN 071B) will be offered during the Spring Semester 2015. We are thrilled to celebrate the fact that the Global Nonviolent Action Database, housed here in the Peace and Conflict Studies Program at Swarthmore College, reached 1,000 cases this summer!Įven more, we can announce that PEAC 071B.
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Sponsored by: Forum for Free Speech, the Serendipity Fund, Interpretation Theory, Department of Political Science, Department of Sociology and Anthropology, Art Department, Peace and Conflict Studies, Department of History, and Dean Henry’s Office. This project takes women’s voices, and faces, and puts them in the street – creating a bold presence for women in an environment where they are so often made to feel uncomfortable and unsafe. Street harassment is a serious issue that affects women world wide. The work attempts to address gender based street harassment by placing drawn portraits of women, composed with captions that speak directly to offenders, outside in public spaces.
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“Stop Telling Women to Smile” is an art series by Tatyana Fazlalizadeh. Join the Womyn’s Resource Center and artist Tatyana Fazlalizadeh in conversation around street harassment and art in activism. “Stop Telling Women to Smile” with artist Tatyana Fazlalizadeh November 19th and 20th, 2014 hip-hop middle east music North Africa peace This event is sponsored by the Arabic Section (MLL), the Intercultural Center, the William Cooper Foundation, the Islamic Studies Program, the Peace and Conflict Studies Program, the Department of Music and Dance, and the Muslim Students Association. He is also working on several new collaborative projects while touring to promote his solo work. Most recently, Offendum has been involved in creating several critically acclaimed songs about the popular democratic uprisings throughout the Middle East & North Africa. He tours the world performing at international music festivals, lecturing at major academic institutions, and fundraising for humanitarian relief organizations. He was born in Saudi Arabia, raised in Washington, DC, and now lives in Los Angeles, California. Omar is a Syrian American hip-hop artist, designer, poet and peace activist.
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Omar will also discuss his efforts to use art and music to raise humanitarian relief funds for Syrian refugees. In addition to performing some of his songs, he will speak about connections between the artistic community and the Arab uprisings, with a special focus on hip hop. There is a free multi-track recorder that does quite well known as Audacity at Īnd the free Finale Notepad ( ) works quite nicely for a free piece of software.Omar Offendum will be coming to Swarthmore on Thursday, November 20th to give a hybrid performance/lecture. If you want to go with free software, you can go that route as well. In addition, these two programs offer an awesome array of audio editing, recording, sequencing, and other production tools useful to someone wanting to enter the music industry. In the same sense, composers usually don't really need a program such as finale/sibelius and actually do need realistic audio instruments such as what Logic (Mac) or Sonar (PC) provide.
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The answer is generally that the author uses a fairly normal word processor (many use MS-Word after all), whereas the publisher uses the typesetting software.
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I am a commercial voice major and do a lot of recording as well, so I find my Powerbook G4 with Logic Pro 7 ($299 academic discount $1000 commercial) quite useful (the PowerBook's have an useable condensor mic that's nice for free, although I prefer an mbox and a couple of low-grade studio condensors for my own project studio).Īlmost without question, I would recommend against Sibelius or Finale for a music major (unless, possibly, they are going to do composition/theory) simply because those programs do not tend to reward musicianship and they are primarily graphical, not musical, programs-a good analogy would be whether an author would use typesetting software or a word processor. It really depends what your daughter wants to do with it.